1905 movie network news In 2000, Liu Cixin, the first person in China science fiction, published short stories, which won Liu Cixin the special prize of China Science Fiction Galaxy Award. Twenty years later, I experienced project establishment, adaptation, filming and post-production … … The film The Wandering Earth, directed by Frant Gwo and adapted from Liu Cixin’s novel of the same name, is finally coming steadily step by step!

On January 28th, the highly anticipated sci-fi film The Wandering Earth, which belongs to us, held a grand premiere in Beijing with the theme of "Towards the Future". Director Frant Gwo, the original author of The Wandering Earth Liu Cixin, specially starred in Jason Wu, starring Qu Chuxiao, Li Guangjie, Ng Man Tat and Angel, starring Mike Sui, Qu Jingjing, Zhang Yichi, Yang Haoyu, Li Hongchen, Yang Yi, Jiang Zhigang and Zhang Huanquan. The atmosphere was warm and touching. When Jason Wu saw his son’s surprise, he even shed tears on the spot. Although The Wandering Earth is a sci-fi movie, it shows a strong Chinese affection, which is suitable for the whole family to watch during the Spring Festival.

China sci-fi movies set sail. Netizens joked that director Frant Gwo "Wolf Warriors with empty gloves"

Coinciding with the traditional festival of China "off-year", the premiere of the movie The Wandering Earth "Running to the Future" kicked off in a jubilant lion dance performance, with The Wandering Earth director Frant Gwo, original producer and producer Liu Cixin and special star Jason Wu first on stage. First of all, Liu said that the film The Wandering Earth has a "personality": "The Wandering Earth showed China people’s feelings about their homeland and home on the space scale for the first time, which shocked their hearts. I hope that more people can feel the charm of China’s science fiction this Spring Festival and feel this China science fiction movie full of heavy feelings and Chinese feelings. "

In the face of teacher Liu Cixin’s high praise, director Frant Gwo bluntly said that he was "very nervous" and said that "we are like students facing a big exam, and now we have to hand in the papers with a nervous mood." Wu Jing, who is on the side, is completely opposite to the director Frant Gwo’s uneasiness and has full confidence in The Wandering Earth and Jason Wu. He told the audience: "This movie was really difficult to shoot, but director Frant Gwo did it! He has been particularly nervous recently, so it is necessary for me to cheer him up and come on! All the hard work is worth it. "

Facing the support from all sides, director Frant Gwo feels warm. He thanked the soul of The Wandering Earth at the scene — — Liu Cixin, the original and producer, especially thanked Jason Wu, and even broke the news at the scene that "Brother Jing was cheated". Jason Wu responded that Frant Gwo was a "liar director". He spoke out: "At first, seeing the director was like seeing himself when shooting, and he was infected and agreed to make a guest appearance in The Wandering Earth. I didn’t expect this guest appearance to last for 31 days, and I didn’t expect that not only did I not get paid, but I had to "bring money into the group." So, The Wandering Earth’ fooled’ me in like this. In the end, we can only fight for our own science fiction movies! " The audience laughed and called "Frant Gwo directed Wolf Warriors with empty gloves". In addition, Jason Wu also said: "This movie is actually a gift I want to give my son, and I want to plant an imaginative seed in his heart." Under the influence of the atmosphere, director Frant Gwo took photos on the shoulders of Jason Wu and Liu Cixin respectively, and the scene was once full of warmth.

　

Outside the play, Jason Wu and his son revealed their true feelings. Wu called it a surprise to send a painting. Qu Chuxiao shouldered the "old father"

At the premiere of the theme "Towards the Future", the MV of the theme song "Wandering with the Earth" created by teacher Liu Huan for The Wandering Earth was also shown. Wandering with the Earth, with its magnificent soundtrack and strong emotions, slowly reveals the Chinese father-son relationship and China people’s attachment to their homes and land. At the scene, some members of the "Adventure Team" in the movie The Wandering Earth, Qu Chuxiao, Li Guangjie, Ng Man Tat and Angel, took the stage to share their strong feelings with Jason Wu.

Jason Wu said: "When a child is young, his father is a mountain, carrying the child to support a sky. As an ordinary person, everyone hopes that when he is old, his son can support this family like his father and’ resist’ his father. When it comes to emotion, Qu Chuxiao, who plays Jason Wu’s son in the movie The Wandering Earth, explains how to hold up a sky with practical actions. The two of them have a "father’s love is like a mountain" hug for the first time, and Qu Chuxiao tries his best to carry Jason Wu on his shoulder, which causes the audience to burst into laughter.

Of course, there is a deep affection between father and son in the play. Outside the play, Jason Wu has many words to tell his son Wu. He said: "In reality, I actually owe my son Wu so-called that he missed many growth moments in his life, so I hope that parents must spend as much time with their children as possible and let them feel their parents’ love for them." Surprisingly, a surprise gift that Wu called specially prepared for his father — — A picture of his father, Jason Wu, and what he wanted to say to his father was drawn by himself. Jason Wu, who was unprepared, read what his son wanted to say to himself and couldn’t help crying. He said, "When you are a parent, your eyes will become shallow." This kind of iron man’s tenderness has moved many audiences at the scene.

At the end of the premiere ceremony, all the masters of The Wandering Earth took the stage, and director Frant Gwo confided the truth on the spot: "I hope that The Wandering Earth can give everyone, especially the children, the wings of imagination. I believe that the future of China science fiction will be better and better, full of more imagination and possibilities." At the event site, La Peikang, Chairman of China Film Co., Ltd. and Song Ge, Chairman and President of Beijing Culture, also presented exquisite derivatives for the crew. And sent a message: "I hope children can see the future of science fiction."

　　　　

The premiere of The Wandering Earth’s theme "Rushing to the Future" ended with the blessing of "China’s science fiction welcomes the future, and China’s Spring Festival is blessed with everything".

　

The premiere of The Wandering Earth was hot, and all the stars and professionals were moved to tears

After the lively premiere of the film The Wandering Earth, the film finally ushered in a hot screening. Many viewers gathered to watch the film for the first time. After the screening, director Frant Gwo, original author and producer Liu Cixin of The Wandering Earth, especially starred in Jason Wu, starring Qu Chuxiao, Li Guangjie, Ng Man Tat, Angel and others, went into the cinema to communicate with the audience at close range, and got the most authentic reputation at the first time. The response at the scene was enthusiastic, and the most heard sentence by the founders was: "The movie is too shocking and moving." Facing the support of the audience, Frant Gwo said frankly: "Thank you for your trust. There are no superheroes in The Wandering Earth, and every character is an ordinary person. But often a choice of ordinary people can change the world and even save the world. " And this is precisely the core that the film wants to convey to the audience.

In addition to the general audience, the film was highly praised, and there were many filmmakers and aerospace, science and other professionals in the audience in The Wandering Earth. Teacher Wang Chunhe, former Minister of Corporate Culture of China Aerospace Science and Technology Corporation and executive director of China Hi-Tech Industrialization Research Association, said with excitement: "As an astronaut, I was deeply shocked after seeing The Wandering Earth. This film has given an important inspiration to young people in China. We should cherish the earth and our home. At the same time, it also gives young people an inspiration. We must be curious and have imagination. " The most mysterious special performance in the film The Wandering Earth, the famous actor Guo Jingfei, appeared. He said that his role was an egg, and he would be deeply impressed after watching the film. At the same time, he joked: "I didn’t expect my man Li Guangjie to be so sexy in the movie."

In addition, Zhou Hongyi, the chairman of Qihoo 360 and a famous angel investor, also watched The Wandering Earth. He was excited and said: "As a loyal fan of Liu Cixin and a person who has great requirements for movies, he was very surprised after watching The Wandering Earth. The film not only reached the world leading level in science fiction films or adventure films." At the same time, Zhou Hongyi also praised the movie clips on the spot. "It’s full of rhythm and it’s so enjoyable to watch."

There are also famous directors Cao Baoping, Xú Zhēng, Han Yan and Sheng Ding, famous actors Chen Kun, Yao Chen, Wang Zhi and Bao Beier, and famous screenwriters Liu Zhenyun, Alex Chen, Dong Runnian and other film practitioners also watched the film Wandering Earth together. Xu Zheng praised the film, blessed Frant Gwo and was proud of him. Yao Chen joked: "Director Frant Gwo has been crazy for four years because of The Wandering Earth. It is hard to imagine how he paid the rent during this period."

The film The Wandering Earth is about to officially set sail on the first day of the New Year in 2019. Facing the word of mouth of all parties, Director Frant Gwo emphasized: "The first year of China science fiction movies is not opened by a movie, but it should be called’ the first year of China science fiction’ after the appearance of China science fiction movies, and China science fiction movies can be truly established."

The movie The Wandering Earth will be officially released on February 5th, 2019.

　　During the Dragon Boat Festival, the discipline inspection and supervision organs at all levels adhered to the strict main tone, being strict in management, daring to be strict in management, and being strict in management, strengthening supervision and inspection, conducting unannounced visits, guarding important nodes, strengthening notification and exposure, and taking effective measures to prevent rebound, invisible variation, fatigue and war-weariness, and constantly consolidating and deepening the achievements of work style construction.

　　The data shows that as of 18: 00 on June 13th, the website of the State Supervision Commission of the Central Commission for Discipline Inspection had reported and exposed 127 typical cases of violating the spirit of the eight central regulations before the Dragon Boat Festival, with hedonism and extravagant style accounting for the most.

　　Correcting the "four winds" has a long way to go, and it will rebound if it is slightly relaxed

　　Judging from the types of problems reported, three types of problems, namely, illegal receipt and delivery of rare specialty products and gifts, illegal eating and drinking, illegal payment of subsidies or welfare, accounted for 29.9%, 25.1% and 10.2% of the total number of hedonism and extravagance respectively.

　　Combing the cases, it is found that these typical problems appear repeatedly and their forms are constantly changing. For example, some do not directly accept cash-filled red envelopes and evolve into WeChat transfers; Some are equipped with official vehicles in a way of splitting car prices; Some take advantage of the theme party day activities to travel with public funds.

　　In the bulletin, all localities will strictly deal with those who are incorrigible and have a bad nature according to the rules and regulations. Zhang Xiaolin, former deputy director of Zhangjiachuan County Bureau of Culture, Radio, Film and Television and former director of the Tourism Bureau in Tianshui City, Gansu Province, was severely punished by the party in 2015 for violating the law. In 2016, he was punished by staying in the party for one year. In 2017, he was dismissed from his post and reduced to deputy director. During the period of punishment, Zhang Xiaolin accepted banquets and entertainment activities arranged by management clients for many times, and received gifts and gifts for four times. In July last year, Zhang Xiaolin was expelled from the Party and dismissed from government affairs, and was reduced to a second-class clerk.

　　There are also some party member cadres who are lucky and paralyzed. For example, Gan Lin, vice chairman of the Political Consultative Conference in Jing ‘an County, Jiangxi Province, and the second-class researcher, and other people discussed with the invited staff of a pictorial newspaper about the compilation of the album and booked a working dinner. After a group of four people from Pictorial Newspaper returned because of something, Gan Lin continued to lead the relevant people in the county to dine and drink illegally, and the expenses were used to sign the bill in the name of the county CPPCC. In February this year, Gan Lin was punished by government warning.

　　Some party member cadres, who should set an example for their relatives, first touched the red line of discipline. For example, Jin Gaobo, the former secretary, executive director and manager of the Party branch of Shanxi Coking Coal Yuncheng Salt Chemical Machinery Company, reimbursed the train tickets, accommodation fees and fuel costs that should be borne by his relatives and others for 3400 yuan. Feng Zanxiang, a third-level researcher in Yueyanglou District, Yueyang City, Hunan Province, designated the restaurant operated by his brother as a reception dining place during his tenure as the executive deputy commander of Linyue Expressway and Menghua Railway Project Headquarters, and arranged official receptions for many times in violation of regulations. Feng Zanxiang was punished by warnings within the party.

　　Style construction is always on the road. Discipline inspection and supervision organs adhere to the iron fist discipline, dare to show their swords, deepen the use of party discipline and government affairs, organizational treatment or organizational adjustment, and really hit the sore spot and achieve practical results, so that those who are lucky lose their illusions, those who pretend to sleep suddenly wake up, and bystanders are wary.

　　Violation of discipline and discipline is covered with "invisibility cloak"

　　The reporter noted that in the reported cases, it is more serious to cover the violations of discipline with "invisibility cloak" by fictional means, and the problem of invisible "four winds" is latent.

　　Some eat, drink or receive food in violation of public funds by falsely reporting the purchase of ingredients in the canteen. Xinfeng County, Jiangxi Province, the Federation of Supply and Marketing Cooperatives reimbursed the reception expenses of 138,000 yuan by purchasing ingredients in the unit canteen without a reception letter, a reception approval form and a reception list. He also bought 2,516 yuan of drinks by falsely reporting the purchase of ingredients in the canteen for official reception. As the party secretary and director of the unit, Xiang Li took the main leadership responsibility for the above issues. In March this year, Xiang Li was severely punished by the Party.

　　Some illegally give gifts from public funds in the name of business entertainment. In February this year, Fu Xianhui, member of the Standing Committee of Yuehu District Committee of Yingtan City, Jiangxi Province, and deputy head of the district government, proposed that he had served as the deputy director of the office of the Provincial People’s Social Security Department when he arranged for Gui Xitian, director of the District People’s Social Security Bureau, to give some local products to his old colleagues. Gui Xitian said that the above expenses were paid by the District People’s Social Security Bureau, and Fu Xianhui acquiesced. When the gift moved into the office building, it was discovered by the unannounced interview team on the spot. The two were punished by warnings within the party.

　　Some illegally issue allowances and subsidies by signing false employment contracts and falsely reporting workload. Li Yanhong, vice captain of the coal mine safety inspection brigade in Xingshan District, hegang City, Heilongjiang Province, decided to falsely report the number of times of entering the well, and paid 7,325 yuan for 19 people in this unit in violation of regulations. In December last year, Li Yanhong was punished by government warning and the related expenses were ordered to be returned.

　　These problems reflect that a small number of cadres in party member do not stop converging, do not perform their duties and do their duty, encourage bad habits, and have been dealt with seriously, with profound lessons.

　　In-depth analysis to identify the crux and promote the source governance of system governance

　　Generally speaking, the spread of "four winds" has been effectively curbed, but the "pathogen" has not been eradicated, and the rectification of "four winds" is still on the way. We must stick to the spirit of implementing the eight central regulations, adhere to the "three noes" and treat both the symptoms and the root causes.

　　Taking the problem of illegal eating and drinking as an example, since the beginning of this year, the Supervision Committee of the Hunan Provincial Commission for Discipline Inspection has deployed centralized rectification actions for illegal eating and drinking in the province, announced the "Ten Prohibitions" disciplinary regulations, and targeted the rectification of illegal eating and drinking. The Supervisory Committee of the Provincial Commission for Discipline Inspection sorted out 100 typical clues of "four winds" and put them on the list for supervision, and all of them were completed.

　　All localities and departments in Hunan Province acted quickly, insisting that the main responsibility and supervision responsibility resonate in the same frequency and exert their efforts in the same direction, and the "top leaders" took the lead in promoting the rectification work to achieve practical results. In the first five months, the province investigated and dealt with 150 cases of illegal eating and drinking, handled 295 people, and gave 189 disciplinary actions.

　　Corruption and unhealthy tendencies are intertwined, and "four winds" has become a hotbed of corruption. Discipline inspection and supervision organs at all levels adhere to the promotion of punishing corruption and rectifying the "four winds" as a whole, dig deep into the discipline review work, and give priority to handling mental problems that violate the eight central regulations.

　　The problem of work style is intractable and repetitive, and it should be solved not only by the organization, but also by the supervision of the masses, paying attention to giving play to the supervisory role of the masses. The Supervision Committee of the Hubei Provincial Commission for Discipline Inspection keeps a close eye on key nodes such as various holidays, strengthens the use of scientific and technological means, and uses the online "internet plus Smart Supervision" platforms such as websites, mobile phone clients and WeChat WeChat official account to rectify the invisible variation "four winds" problem by means of taking pictures of festivals, reporting with one click and comparing data. (Reporter Li Lingna Zhang Qibin)

Original Bund Jun Bund TheBund

Although he is a billionaire heir.

The groom joined the Trump family without hesitation.

The Trumps and a couple.

A few days ago, Trump’s second daughter Tiffany married billionaire Michael Blos.

Trump’s two daughters, the eldest ivanka, are famous. They used to accompany their father to farmland. By contrast, Tiffany, 29, is keeping a low profile.

She is the only one of Trump’s adult children who has not been prosecuted, and was once said to be the most unpopular daughter of Trump.

The groom Michael Blos is Lebanese, four years younger than Tiffany. Although there is no father who has been president, there is a mine at home.

My father, Masad Blos, is a billionaire who owns two listed companies. All Nigerian industries are related to his family. Therefore, although Michael is only 25 years old, he is also the vice president of the group, worth over 100 million yuan.

Two families

This is an absolute strong alliance.

01

Trump’s manor

Elie Saab’s wedding dress

In-laws are Trump "fans"

The wedding was held at Haihu Manor in Palm Beach, Florida, USA. This manor with a history of nearly 100 years is known as the highest social circle in the United States. Trump bought it in 1985 for less than $8 million.

Haihu Manor covers an area of 80,000 square meters (20 times that of Dabei’s wedding venue), with lush palm trees and a unique view by the sea. During Trump’s administration, Chinese and American leaders met here, and the specifications were quite high.

It is said that Haihu Manor was chosen because Tiffany was born and spent her childhood here, which is of special significance, but it has no political significance.

Tiffany’s wedding dress chose Lebanese brand Elie Saab, which is not only one of the favorite high-definition brands of superstars and celebrities, but also from the country where the groom belongs, which is perfect.

Marla Maples, Tiffany’s mother and Trump’s second wife, is quite satisfied with this dress. "Elie Saab has created a miracle. “

Tiffany’s dress for receiving guests is much more low-key, and it is a white lace dress designed by Oscar Lopez.

As can be seen from past photos, Tiffany’s figure is still relatively plump. For the wedding, it’s hard to lose weight.

The whole person lost a big circle.

Although the identity of the guests was kept secret, it was revealed that the great-great granddaughter Gaia Matisse (mother is artist Sophie Matisse and father is artist Alain Jacquet) of artist Masti, celebrity Karen Shiboleth and Peter Brant Jr, son of supermodel Stephanie Seymour, attended the wedding.

As for the Trump family, it must be all out.

After the ceremony, Trump specially took a group photo with his five children: from left to right, the second son Eric, the eldest son Donald Jr., Tiffany, the youngest Barron and ivanka.

Even though they were told many times that their feelings were not in harmony, Melania and Trump danced to Frank Sinatra’s quite classic song Strangers in the Night in such a warm situation.

The two men were seen whispering while dancing, and Melania rarely smiled at her husband.

During the wedding rehearsal, Trump also took photos with his two wives. On the left is Tiffany’s mother, and on the right is Melania.

All three people looked happy, and Trump secretly gave a thumbs-up sign.

The bridesmaids are all wearing aquamarine skirts. Although ivanka, the eldest sister, is not a bridesmaid, I have to say that her long dress with Greek style looks the best in texture.

Plus, people are beautiful and smooth, which is really beautiful.

Husband Jared Kushner is just a pendant.

The sisters have a good relationship.

Before the wedding, ivanka also helped Tiffany adjust her wedding dress.

The groom Blos’s family also came.

Father Masad Blos wears gold-rimmed glasses and looks like a brother to the groom. He owns two major enterprises, Boulos Enterprises and SCOA Nigeria, and his business involves automobile, retail, energy, construction and so on.

It is said that Masad himself is an iron fan of Trump, and he is very happy to become in-laws with Trump.

02

Trump’s lowest-key child

Tiffany’s life is a typical American socialite.

I went to the famous University of Pennsylvania, fell in love with the son of a rich man of the same class, and wanted to be a star or KOL in my spare time.

When I was in high school, I broke into the entertainment circle, made a single, appeared on Oprah’s show, and walked through the show, but none of them aroused any splash.

When she was in college, ivanka helped her get into VOGUE as an intern. It is said that Anna Untul made a special trip to have lunch with Tiffany.

But compared with Trump’s other children, Tiffany is a special one.

Parents divorced early, and Tiffany was mainly brought up by her mother, and she did not participate in Trump’s great cause.

But if it is said that Trump does not like this daughter, it is a bit of a shadow.

When Tiffany was born,

Haihu Manor used to be Tiffany’s paradise.

When I was 5 years old, I held a birthday party called Titanic here.

Driving bumper cars with my parents.

Unfortunately, the following year, when her parents divorced, Tiffany moved to Los Angeles with her mother and attended an aristocratic school with an annual tuition fee of more than 200,000 RMB.

Although they don’t live with Trump, father and daughter often meet. Trump also took her on a date with his new girlfriend Melania (current wife).

After her father became president, although she didn’t have a formal position like her sister, she also made frequent public appearances. Low-key is a little low-key, maybe it’s people’s personality and hobbies, not marginal people.

03

Groom: I’m here to join this family.

No matter how low-key Tiffany is, as Trump’s children, everything has been stripped clean.

By contrast, Michael Blos’s information is not much.

Michael is of Lebanese and French descent and grew up in his hometown of Old Dulagus, Nigeria. I studied at Regent University in England, where I lived in a luxury apartment of 1.2 million euros. I went to London University as a graduate student and got a master’s degree in finance. After graduation, I worked in the family business.

In addition, the children of these rich people really love to break into the entertainment circle. Michael had a younger brother who played soy sauce in The Crown and Fantastic Animals, but he didn’t make a name for himself.

Michael Blos and his family.

It’s quite a coincidence that two people met.

Although Tiffany didn’t get ahead in the entertainment circle, she also made some friends in the circle. In the summer of 2018, she and lindsay lohan were on vacation in Mykonos Island, where they met Michael in the club.

Some people say that Lindsay is a matchmaker, but she denies it, saying that although I know both of them well, I didn’t pull strings.

After only a few months of love, on Thanksgiving Day in 18, American media reported that Tiffany introduced Michael to Trump.

In January of the following year, after Tiffany officially announced her love affair in ins, the relationship between them advanced by leaps and bounds.

Michael basically participated in all the activities of the Trump family.

This is not hard-you know, Michael is studying in England, and they have been in foreign love for a long time. This trapeze artist is still doing his best.

Just kidding, he and big bay "adopted by adoption" Nicola’s state is almost the same.

Michael is very sincere. The marriage proposal ring is 13 carats long and worth nearly 10 million RMB.

No matter whether the families of both sides need each other, at least two young people are sweet from beginning to end, and it is natural to get married.

As for what will happen in the future, who knows

Text, editor/／siri110

Part of the information comes from Daily Mail, insider, new york Times, CNN, etc.

The picture comes from the network, please contact to delete the infringement.

The above content comes from "TheBund" (micro signal: the-bund).

Lawyers have been authorized to investigate and defend the copyright of articles.

Original title: "Trump’s lowest-key daughter gets married and the groom is a billionaire"

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　　TFBOYS old materials have been turned over, and Christina has become a "social cow". Who is boosting the entertainment "archaeological fever"

　　Recently, the video of Christina years ago was dug up and suddenly turned into a "social cow", which attracted attention. At the same time, the early video of TFBOYS member Karry has also been turned out, and "this child has a stalk since he was a child" has become a topic, while Gaowa Siqin’s ancient early video has brought fire to "sheep placenta theory".

　　This wave of trends, known as "idolize", has provided endless resources for the second creation of major platform users, the topic speculation of marketing numbers, the setting of platform entertainment topics, and so on, just like the popularity of old dramas in recent two years. Old topics are discussed, old terrier is played, and the entertainment "archaeological craze" becomes a new traffic password.

　　Look, how much fun the previous stars had.

　　Recently, a draft clip of Happy Boys 2013 was turned out by netizens, and actor Christina became the focus of attention. At the scene of the program, Christina made a gesture of kneeling on one knee and putting his right hand on his chest to the then player Oho Ou, and shouted: "Tonight, I am God V, but at this moment, you are my God!" Faced with this scene, the contestants on the stage were embarrassed with He Jiong and Wang Han, and the audience broke into shouts. As a guest of "V God" invited by the program, Christina can directly canvass for his favorite players. Because the "Fast Man" final was still broadcast live, how to canvass and what to say could not be rehearsed in advance. Christina’s more dramatic "confession" canvassing may also be improvised on the spot, but it has achieved a very "explosive" effect.

　　Christina plays mature female roles in TV series. She can be so open on the variety stage, showing her other side and making the program full of effects. The moment when this program was very effective, it was cut out by the current netizens alone, and it quickly became a scene of "going out of the sky" in Christina’s career under the trend of "seeking novelty" and playing tricks. Christina’s "black history" is on fire, and Christina also has the titles of "social cow" spokesperson and "the first madman in entertainment" in the competing comments, spitting and pattern imitation of netizens. Some netizens said that Christina’s "magic sound is in my ears and I will never forget it in my life". Some people continue to play tricks, and various lip-synching short videos of "You are my God" appear. Some people imitate the tone of "You are my God" with erhu, guzheng and piano …

　　The reason why Christina’s ancient video can stir up a wave of discussion and imitation is because it coincides with the current popular craze of embarrassing stars to learn to make stalks. The more unexpected, subversive and even outrageous scenes the stars are, the more sought after by netizens. The stars in this scene will quickly become the imitation resources of self-media, marketing numbers and secondary creators, and become their funny objects and funny objects. In order to watch and click, these netizens will actively explore such videos and actively imitate and arrange funny scenes of stars. In this process, the star embarrassed to learn to become a network traffic password.

　　From the netizens’ playing the "sheep placenta theory" in March, we can also see how varied the current entertainment "archaeological fever" is. In 2012, Gaowa Siqin and a star promoted the TV series "Mother, Mother". During the interview, a star suddenly broke the news that Gaowa Siqin had hit the sheep placenta, and asked Gaowa Siqin if the skin had started after hitting the sheep placenta. The embarrassment of this scene and the strangeness of the scene are really rare in star interviews. Ten years later, everyone pays attention to this video again. It is not about who is right and wrong, who has high emotional intelligence and who has high acting skills. Instead, it is completely regarded as the hottest object of online play. "Is this ok?" "Is the skin unfolded?" "From the inside out" has become a buzzword. Millions of clicks of sheep placenta imitation makeup, sheep placenta imitation show, sheep placenta ghost song and so on constitute "sheep placenta science", and netizens, netizens, ghosts and animals, etc.

　　This interview between Gaowa Siqin and a star was played like this, which I believe was unexpected by the parties. At the moment when the media is popular and the entertainment marketing number "eats dry and wipes clean" the entertainment news, I believe that no star dares to show his true nature in this way, and he can no longer provide more imitation resources for entertainment gossip lovers to dig deep and create again. Under the combination of various factors, it has become a trend to "turn over old scores" in idolize and "archaeological" in idolize.

　　Platform topic setting and netizens’ collective carnival

　　The current "archaeological craze" for entertainment of movies, variety shows and star news may be related to the lack of entertainment activities such as the suspension of the draft, the suspension of concerts, the reduction of artists’ activities and the withdrawal of movies. In this wave of craze, we can vaguely see some kind of guidance and setting of entertainment hot topics and entertainment topics. Media platforms and media creators play a certain role in the "archaeological fever" of entertainment, forming some kind of collusion.

　　When this round of "sheep placenta theory" was the most popular, the number of clicks of a makeup imitation video on a single platform quickly exceeded 6 million, and different forms of makeup imitation videos, spit videos and popular science commentary videos blossomed everywhere in the same period of major platforms. The content related to "sheep placenta theory" is even more hot search lists of their respective media platforms, and it has formed a lively situation that "big UP masters imitate stars, small UP masters imitate big UP masters" and "top flow" of each platform cooperates with each other to harvest traffic. In the big explosion of "sheep placenta science", all platforms have achieved a win-win situation of collective momentum and collective harvest traffic. There is an element of network follow-up. A large area of follow-up has revived "old terrier" and "Laogua", but this multi-platform and large-area "resurrection" is related to the hot search topic setting and guidance of the platform, as well as the emphasis on traffic and overweight.

　　Recently, hot search topics such as "Karry sings English songs well" and "Karry’s child has a stalk since he was a child" often appear on a platform. The video of Karry performing in a shopping mall when he was a child was frequently searched, and Karry Jr. was labeled as funny. The video of "Magic Castle" sung by TFBOYS members in their third anniversary concert was also widely circulated. Fans and netizens are delighted with the "archaeology" of TFBOYS. If you look closely, you will find that these nostalgic entertainment topics are frequently searched, which is directly related to the setting and guidance of entertainment topics on a platform "Today of that year". It is understood that the functions of "Today of that year" and searching by time launched by a certain platform last year have become important tools for fans to "turn over old scores" in idolize. The person in charge of the entertainment section of the platform also said that the "archaeological" content of the stars will indeed be pushed recently, and the marketing number of the whole network is sending the stage videos of the stars in the past.

　　On the other hand, the platform is also contributing to the popularity of "archaeological" videos in Christina. The hot search topic "You are my God" has been on the list for 14 hours. "You are my god imitation contest" even stayed on the hot search list of a short video platform for 37 hours, forming a powerful topic effect and traffic harvest. Since the second creation of UP from the media, I am busy creating videos, and the platform is pushing the stream. Netizens are crazy about eating melons, forming a craze.

　　Looking at the whole network, not only the "archaeological craze" for entertainment stars has become a craze, but also the influence of the platform can be seen in the recent "Zhen Xuan craze" and "old drama craze". Behind the "old drama fever" from the media and short video platforms, the long video platform relies on the lagging publicity of exclusive copyright dramas, the new development of old dramas to increase the popularity and capture traffic. For example, the number of Youku users with exclusive copyright in Empresses in the Palace has reached 267 million, and according to the survey, the favorite TV series of users on this platform is Empresses in the Palace. Empresses in the Palace is beautiful, but it contracts "hot search" every day, which may have a lot to do with the marketing and entertainment agenda setting of the platform.

　　The essence of entertainment "archaeological fever" is still a kind of entertainment carnival from the media, in which the platform is boosted and the flow is harvested, which together form a complex situation of collective carnival.

　　Qilu Evening News reporter Shi Wenjing

　　On the morning of November 12th, China Men’s Soccer Team conducted the third outdoor training in Shenzhen Universiade Center Stadium. During the training, China Football Association President Song Kai appeared at the training site. It is understood that Song Kai visited the national football team that is preparing for the 36-strong World Cup preliminaries by going to Shenzhen to investigate youth football. After talking with some of the team veterans, Song Kai encouraged the team to "unite as one and play the true spirit of China football".

　　On November 11th, Song Kai, President of China Football Association, appeared in Shenzhen. Accompanied by relevant leaders of Guangdong Sports Management Department and Shenzhen Football Management Department, he went to Shenzhen Youth Football Training Base in Guangming District, Shenzhen to conduct research on the contents of youth training.

　　Song Kai’s visit to Pengcheng also has an important task, that is, to visit the China men’s soccer team who are preparing for the first two rounds of the second stage (Top 36) of the 2026 World Cup preliminaries in Asia. According to the reporter of Beijing Youth Daily, after the investigation of youth training came to an end, Song Kai made a special trip to the resident hotel of the national football team and had an exchange with some old players including captain Wu Xi. In the process of heart-to-heart, Song Kai also expressed China Football Association and his expectation and trust attitude towards the national football team, especially the old players, hoping that these old players who have played in many major competitions for their country can play a leading role. In fact, in the process of internal work exchange, Song Kai has always stressed that the old players are very important to this national team. China must give full play to the mentoring role of the old players when they attack the World Cup.

　　On the morning of the 12th, the national football team went to the auxiliary field of the Universiade Center for outdoor joint training. When the training process was halfway through, Song Kai and his party appeared at the training site. After the training, Song Kai made a speech on the spot for less than 5 minutes. Song Kai encouraged the players that the task of attacking the World Cup is great. The China Football Association and himself will always trust and support the team, hoping that the players can lay down their burdens and unite to play the true spirit of China football. Song Kai also told the team members to pay attention to their health and look forward to the team’s victory in the first round of this World Cup.

　　It is reported that in order to avoid adding pressure to the national football team, Song Kai will not go to the away game to supervise the first match of the top 36 national football team against Thailand. However, he still plans to go to Shenzhen to watch the key game of the national football team against the South Korean team at home on the 21st of this month to cheer for the national football team.

Text/Beiqing Sports Xiao Wei

In the new era, TV drama creation closely follows the changes of the times, pays attention to real life, insists on artistic innovation, expresses China’s aesthetics with China stories, and excellent works are constantly emerging.

Source: People’s Daily Literature and Art

Author: Fan Zongchai (Party Secretary and Resident Vice Chairman of China Television Artists Association)

It is an important task for literary and artistic creation in the new era and an important duty for literary and artistic workers to tell the story of China well and describe the weather of the times with realistic TV dramas that the people love. Whether there are more excellent works and peak works that can stand the people’s evaluation and the test of the times is an important criterion for measuring literary and artistic creation in the new era.

Stick to the main theme, refine the theme and extract the theme from the changes of the times, the progress of China and the call of the people.

Excellent realistic TV series must be the fruits of being deeply rooted in the fertile soil of the times and drawing nutrition from people’s practice. Looking back at history, the creation of realistic TV series has been growing and maturing with the process of China’s reform and opening up and the development of TV art. With vivid screen image, vivid audio-visual language and continuous narrative ability, it has become a light and shadow witness of ordinary people’s daily life and spiritual feelings, reflecting the historical changes and social development of contemporary China.

A new era and a new journey is the historical orientation of contemporary China literature and art. The theme of the times to realize the great rejuvenation of the Chinese nation, the great practice of the party leading a new era and a new journey, and the story of the people’s struggle for a better life are rich topics for the creation of realistic TV dramas. The achievements in poverty alleviation, Belt and Road construction, ecological civilization construction, rural revitalization, high-tech development, national defense and military modernization, national integration development, social and people’s livelihood security, and people’s better life have provided a broad space for TV art creation. Since the 18th National Congress of the Communist Party of China, TV drama creators have paid more attention to extracting themes from the changes of the times, the advance of China and the call of the people. They regard the frontier of the development and progress of the times as the frontier of TV drama creation, the main battlefield of economic and social development as the main battlefield of fine creation, and the major issues of concern to the people as the important source of topic selection planning, showing the magnificent atmosphere of the new era and new journey in an all-round and panoramic way.

Realistic TV plays closely follow the main theme and hold high the main theme, vividly telling the story of people’s longing for a better life and their struggle to realize the Chinese dream of the great rejuvenation of the Chinese nation. For example, around the celebration of the centenary of the founding of the Communist Party of China (CPC), in the TV series "Ideal Shines on China", many 40 groups of characters and flash stories are taken from the contemporary era. The creator tells the story of the party’s century-long struggle with young narrative voice and beautiful images, and composes a song of praise intertwined with youth and faith. The TV series "Meritorious Service" links the colorful life chapters of the first batch of eight winners of "Republic Medal" with the struggle history of New China, and explains their "loyal, persistent and simple" life character and the lofty realm of dedicating themselves to the motherland and serving the people. Focusing on the celebration of the 70th anniversary of the founding of People’s Republic of China (PRC), a number of TV dramas, such as Years of Passion, Land of Hope, Melody of Endeavour, In the Distance, Pentium Age, etc., focus on the fields of industry, rural areas, transportation services and cutting-edge scientific research, deeply depict the development and changes of the industry, and reveal the great leap and development logic of China from rich to strong. Around the 40th anniversary of the reform and opening up, works such as "Great Rivers" and "The Most Beautiful Youth" show the development and change of social economy and the entrepreneurial spirit of officials in difficulties and hardships with the struggle stories of representative figures in different periods and fields, and arouse the audience’s resonance.

Around the decisive battle to get rid of poverty and build a well-off society in an all-round way, there are many works by Minning Town, such as The Stone Blossoms, There are so many beautiful mountains and seas, which combine the great practice of eradicating poverty with the touching struggle stories of ordinary Chinese, highlighting the value of China and the spirit of China. Around the fight against the COVID-19 epidemic, works such as Together and The Most Beautiful Retrograde spread the great anti-epidemic spirit to the whole world in a timely and effective manner with documentary aesthetics. These TV dramas keep up with the pace of the times, feel the artistic pulse from the pulse of the times, and realize the artistic value in the era of recording, writing and eulogizing.

Focus on fiery life, improve the life quality and realistic perspective of works.

The essence of socialist literature and art is people’s literature and art. The needs of the people are the fundamental value of literature and art. Excellent realistic works should be applauded and sold, giving consideration to both social and economic benefits, and stand up to people’s evaluation, expert evaluation and market test.

The TV series "Dressing Taiwan" shows the significance of ordinary people’s efforts to pursue a better life by "dressing Taiwan", so that people can see the value of life in ordinary life. The TV series "In the World" arouses the audience’s resonance with real life and becomes a precious cultural phenomenon. This drama returns to real life, and chooses to explore the aesthetics of daily life from the perspective of historical depth. With a narrative span of several decades, it provides enough space for the characters to unfold the ups and downs of their fate and then reflect the social transformation and change. It tells the story of China, which is "plain truth, goodness of human nature and beauty of harmony" with realistic images of the times, and perfectly combines people’s nature and artistry. Another example is the TV series Minning Town, which can be regarded as a phenomenal work in realistic TV series in recent years. With a simple and grounded narrative style and a tender and delicate perspective, it depicts vivid stories and characters on the road to poverty alleviation, which makes the audience have a strong empathy. The secret of its success lies in that the transcendental power and the sincere feelings of ordinary people who persist in their struggle have conquered the audience.

It can be seen that the audience expects that the TV drama creation can truly and comprehensively aim at the hot spots and difficulties of people’s livelihood, what people think and expect, and promote the truth, goodness and beauty in human nature. This requires literary and artistic creators to go to the grass-roots front line and related industries to feel the fiery life and struggle practice in the new era, constantly improve their ability to read life in the in-depth life, and constantly improve the life texture and realistic perspective of their works.

As a vivid epitome of the important achievements of the national anti-vice campaign, the TV series Anti-vice Storm boldly and delicately depicts the real picture of the anti-vice struggle and responds to the people’s expectations and voices for fairness and justice. The TV series "I’m fine in a foreign land" directly hits the hot topics in the society and writes about the self-improvement and struggle, love and warmth of contemporary urban young women.

As Wang Sanmao, a screenwriter in Minning Town, said with emotion: "Only by diving into the fiery life, plunging into the crowd of ordinary people, seeing clearly the thinness of their rice bowls and reading the joys and sorrows of their brow can we write high-quality plays that are hot, lively, close to the people and reflect the true meaning of the times." The popularity of these realistic TV series shows that the creators can only get sincere feedback from the audience if they truly understand the people’s joys and sorrows, immerse their poetry into the fiery life of the times, have awe of art and sincere heart for professionalism, and work hard and practice their real skills.

Adhere to integrity and innovation, and open up a new realm of art with masterpieces that keep up with the times.

Innovation is the life of literature and art, and improving quality is the lifeline of literary works. For the creation of realistic themes, we should be strict in content selection, deep in ideological exploration and refined in artistic creation, and constantly improve the spiritual energy, cultural connotation and artistic value of works, so as to meet the aesthetic and cultural needs of the masses today.

Based on the unit structure, TV series "Meritorious Work" and "Together" collect many characters and typical events from the perspective of horizontal reality, and run through them with a unified theme, which has become a masterpiece showing the magnificent atmosphere of the new era in a panoramic way. The spy war drama "Opponent" gets rid of the inherent mode of such works in the past, and focuses on real life with the expression of fireworks and human feelings. Through the tense and compact plot and plump three-dimensional characters, it leads the audience to vividly perceive the true features of the national security personnel, and also subtly enhances our national security awareness. With the novel setting of time cycle and infinite suspense of multiple reversals, the suspense drama "The Beginning" closely follows social hot topics such as life choices and intergenerational communication, and explores the secrets of people’s hearts with the help of a confusing case, which has become a new exploration of realistic theme creation. Of course, there is no fixed method in writing. Calling for epic masterpieces, we are also happy to see the masterpieces of "small but beautiful" in the Acura era, advocating realistic creative methods that promote positive energy, and also need a realistic creative spirit that is speculative, warm and enlightening.

A series of excellent TV dramas with realistic themes, connecting the extraordinary journey of the Chinese nation towards great rejuvenation, constitute the China story that most easily resonates with the audience. The creation of realistic themes especially tests the creator’s profound understanding and accurate expression of the new era. Only those who care about the country’s greatness, with a higher political stance and creative consciousness, with a deeper vision and broad mind, insist on being upright and innovative, and choose the theme that best represents the changes of the times and the spirit of China for artistic expression, can we create more screen images that are liked by the audience and recognized by the world, and create China stories that are more contemporary in China and reflect on the community of human destiny.

There are many vivid stories in China. The key is to have the ability to tell the story of China well. The creation of realistic themes must keep pace with the rapid development of the new era. Literary and artistic creators are confined in the room and rely on imagination to conceive, which will only bring about weak creation and superficial thinking, and it is impossible to produce good works with flesh and blood, temperature, responsibility and feelings.

Only by strengthening cultural self-confidence can the creation of realistic TV series vigorously carry forward the unique value and charm of Chinese civilization, express China’s aesthetics with China stories and show Chinese’s spiritual temperament; Only by adhering to the direction of serving the people and socialism, the policy of letting a hundred flowers blossom and a hundred schools of thought contend, creative transformation and innovative development can realistic theme creation better meet the diverse needs of the audience. It is expected that TV dramas with realistic themes will continue to expand into new realms, and masterpieces will continue to emerge.

&&The General Administration of the People’s Republic of China dispatches and promotes the broadcast arrangement of TV series in 2022 and the topic selection planning in the next few years.

Pay attention to

& & Gather internal forces and make external contributions, and promote the development of radio and television audio-visual industry base.

What industry

& & Looking back at "Ten Years in China", I feel the real world in the image.

Three images

&&Pay tribute to the workers, and these broadcasters and collectives are commended.

Miyixian

The construction of an integrated community of ideological and political courses in universities, primary and secondary schools is a brand-new way to improve the effect of ideological and political education. As the leading unit in the construction of an integrated community of ideological and political courses in primary, middle and primary schools in Gansu Province, Marxist College of Northwest Normal University cooperates with 14 units in the province to strengthen the reform and innovation, teaching and research, practical education, teacher training and other measures to build an ideological and political education community and continuously promote the high-quality development of ideological and political education.

Highlight problem orientation and improve working mechanism

The construction of an integrated community of ideological and political courses in universities, primary and secondary schools involves the connection and operation of many factors. The college adheres to the problem orientation, actively builds the working mechanism of the community, and forms a "collective consensus" and "action program" for the integrated construction with 14 cooperative units. Regularly carry out academic seminars on the construction of integrated communities, focusing on the integration of training objectives, teaching materials, teaching optimization and operation, teaching and research resources, teaching staff and other elements, to break through management barriers and form a sound working mechanism. The College actively coordinates with the administrative departments, promotes the establishment of steering committees and expert steering groups for the integrated construction of ideological and political courses in universities, primary and secondary schools, studies and formulates the implementation plan for the integrated community construction, and establishes the integrated normal communication mechanism, integrated sharing and co-construction mechanism, integrated teaching and research mechanism, integrated practical education mechanism, integrated teacher training mechanism, etc., and promotes the continuous improvement of the "community" mechanism with the sense of "integration".

Establish the concept of synergy and enhance the joint force of educating people

The focus of community construction is "coordination", and the key is to unite "joint efforts" to ensure that the teaching material system of ideological and political courses in all study sections in the region is built as one, the teaching content is focused as one, and the teaching and research activities are carried out as one. Under the guidance of "the concept of collaboration", the college signed agreements with Marxist colleges of many universities in the province to help and build together, took the lead in establishing the same-domain alliance for the integration of ideological and political courses in universities, primary and secondary schools, and regularly carried out provincial-level collaborative activities such as "hand in hand" collective lesson preparation meetings and "big training" team training, so as to strengthen communication and exchanges among teachers of ideological and political courses in various academic sections. Establish a mechanism of "classmate section, adjacent section and cross-section" for cross-class, collective lesson preparation and joint research, open up the boundary of ideological and political course teachers in colleges, middle schools and primary schools, build a platform for collective research and sharing of teaching resources, and create conditions for promoting academic research of ideological and political education. Relying on the famous teacher’s studio of ideological and political course and the provincial teaching team of "Introduction to Mao Zedong Thought and Socialism with Chinese characteristics’s Theoretical System" and "Situation and Policy", the College has also selected exemplary "seed teachers", continuously built a high-quality teaching resource pool, actively expanded the diversified ways of ideological and political education personnel training and service, and continuously enhanced the educational synergy of the community through integrated teaching and scientific research.

Adhere to overall planning and improve the effectiveness of educating people

Practice teaching is not only an important part of ideological and political course teaching, but also an important starting point for ideological and political education. The college adheres to the student-centered concept of practical education, builds an integrated practical teaching community, promotes the mutual integration of practical teaching resources, and continuously improves the educational effectiveness of the community.

The college and community units make overall plans to build an integrated practical education mechanism, and rely on the practical teaching base of "Great Ideological and Political Course" to establish a cooperative system of sharing practical teaching bases; Relying on the platform of building an integrated community of ideological and political courses in universities, primary and secondary schools, we will cooperate with community members to build a practical classroom based on VR network teaching, innovate and expand the content and form of integrated practical teaching, actively build a practical education community, and empower practical teaching of ideological and political courses. The college also set up a theoretical propaganda group for college students in the new era, and went deep into universities, primary and secondary schools in the region to carry out social research. Through theoretical propaganda, pairing assistance and fixed-point teaching, it not only improved the effectiveness of practical education in each school section, but also accelerated the process of community construction.

Give full play to the advantages of disciplines and strengthen the teaching staff

Teachers are the key to running ideological and political courses well. As a key Marxist college in Gansu Province, the college has a national first-class undergraduate major in ideological and political education, a post-doctoral research station in Marxist theory, a first-class discipline authorized by a doctor’s degree in Marxist theory, and a first-class discipline authorized by a master’s degree in Marxist theory. It has formed an excellent talent training mechanism integrating undergraduate, postgraduate and doctoral studies, trained a large number of outstanding ideological and political teachers for primary and secondary schools in the province, and has become a reliable guarantee for strengthening the teaching force of the community.

The College attaches great importance to the connotative construction of the teaching staff, insists on the combination of problem orientation, goal orientation and effect orientation, optimizes the secondary institutions of ideological and political course teaching and research, establishes the demonstration and research center of ideological and political course teaching, and strives to build a top-quality teaching and research team and demonstrate the "golden course" project. Organize outstanding backbone teachers to go to the practical education bases in primary and secondary schools in the province to carry out pairing assistance and exchange activities, give full play to the radiation-driven effect led by the demonstration of backbone teachers, and help young teachers in primary and secondary schools improve their professional level. The College has implemented the plan of "Master Studio" for ideological and political courses, jointly organized training and research with cooperative units, jointly conducted teaching seminars, jointly organized teaching exhibitions and jointly implemented practical research, which has hatched a number of backbone teams for the construction of an integrated community of ideological and political courses in universities, primary and secondary schools. In addition, the college also relies on institutions such as the Training and Research Center for Ideological and Political Work Team in Colleges and Universities of the Ministry of Education and the Research and Talent Training Center for Ideological and Political Education in Colleges and Universities of Gansu Province to train business backbones of ideological and political education from all over the province, which has played a positive role in strengthening the teaching staff of the community.

(Author: Niu Jianqiang)

　　　　　　 CCTV News:In 1995, in Washington, D.C., a large number of African-Americans gathered to call for improving the inequality in American society. This year marks the 25th anniversary of the event. This year, George Freud, an African-American, was killed by police violence, and many places in the United States set off a long-lasting wave of protests against racial discrimination. Therefore, this year’s commemorative activities received special attention. Considering the epidemic situation in COVID-19, a few days ago, commemorative activities were held in the form of "cloud commemoration".

　　　　　　 The social media account of "One Million March" launched an online activity to commemorate the 25th anniversary of "One Million March" for three consecutive days from 14th to 16th. Many African-Americans participated online, and many of them took part in the March in 1995. They stressed that after years of American society, related social problems have not been solved. The unequal treatment suffered by African Americans in employment opportunities, housing and social welfare still exists. Especially since George Freud, an African-American, was killed by the police in May this year, related problems have once again become prominent, and protests against racial discrimination and violent law enforcement have continued to break out in many parts of the United States. The rift between different races in American society in cultural and social integration is also more obvious.

　　BEIJING, Aug. 27 (Xinhua)-At the regular press conference held by the Ministry of Transport on the 27th, Sun Wenjian, a spokesman, said that since the resumption of toll collection on May 6, the national expressway network has been running smoothly, the congestion situation has been obviously alleviated, and the traffic efficiency has been significantly improved.

　　At the meeting, a reporter was concerned about the operation of the national road network since the national highway toll was resumed on May 6. Sun Wenjian made a related introduction to this:

　　First, the traffic volume has basically recovered. With the further recovery of China’s economic and social order, the data of June and July show that the total traffic volume of expressways in China has reached 1.7 billion, which has recovered to 97.4% of the same period last year, and the recovery speed is still relatively fast.

　　Second, the traffic efficiency has been significantly improved. In June and July, the traffic data of expressway networks in 26 provinces across the country showed that the average speed of vehicles increased from 61 kilometers per hour in the same period last year to 71 kilometers per hour now, of which trucks increased from 51 kilometers per hour to 55 kilometers per hour, and buses increased from 67 kilometers per hour to 84 kilometers per hour now.

　　For the improvement of highway traffic efficiency, Sun Wenjian believes that there are several main reasons:

　　First, the provincial toll station has been abolished, and the provincial toll station is no longer congested, and vehicles can pass through the provincial toll station unimpeded.

　　The second is the application of ETC card in trucks and buses. The utilization rate of ETC card in buses has exceeded 70%, and the utilization rate of ETC card in trucks is close to 50%. These two factors have obviously improved the traffic efficiency of the whole expressway network. There is a typical case, that is, on the Beijing-Guangzhou line, the long-distance truck from Beijing to Guangzhou saves a day’s travel time before and after the stop, which is very strong for truck drivers.

　　Third, the congested road sections have been greatly reduced. In June and July, the average daily number of congested and slow-moving sections of expressways in China was 2,453, a decrease of 379 compared with the same period of last year, with a decrease of 13.38%. There are 271 expressway toll stations with daily congestion in China, a decrease of 431 compared with the same period of last year, which is even more obvious, reaching 61.43%. These two indicators can show that the highway traffic has become more and more smooth.

　　Fourth, the traffic volume of trucks increased and the no-load rate decreased. In June and July, the number of expressway trucks in China was 506 million, up 13.05% year-on-year. Among them, the average no-load rate is 24%, which is 4.1% lower than the same period of last year. As the main force of expressway transportation, the average heavy-load rate of large trucks with five axles or above is 61.6%, which is 4.3% higher than the same period of last year. The actual load rate of trucks has obviously increased, one of which has decreased by 4.1% and the other has increased by 4.3%, which well illustrates the impact on trucks after changing from weighing to axle charging.

　　Sun Wenjian pointed out that at present, the Ministry of Transport is paying close attention to the operation of the road network after the withdrawal of the station, scientifically evaluating relevant policies, and making timely amendments to ensure that the broad masses of people can travel with satisfaction.

Respondents:Li Zelin (young writer, screenwriter, representative works "The Sky of Wind Dog Boys" and "The Lion Boys")

Interviewer:Tuolu (Lecturer, School of Art and Media, Beijing Normal University, Ph.D., Chinese Department, Peking University). )

Organizer:Zixuan Zhao (Master of Radio and Television, School of Art and Media, Beijing Normal University, 2021)

Ding Lu (Master of Radio and Television, School of Art and Media, Beijing Normal University, 2021)

"Writing is something I have loved since I was a child."　

Tuolu (hereinafter referred to as Tuo):

I know that you have transformed from a young writer of literary novels to a screenwriter of dramas and movies. Which identity do you prefer, the novelist or the screenwriter?

Li Zelin (hereinafter referred to as Li):

In fact, I think whether writing a book, a script or making a film and television work, these works give me an identity. Because I like it, I enjoy the process of creating works, and I also have a strong internal drive. My parents started out in business. When I just finished the college entrance examination, they heard that I wanted to create, and they just thought I was trying to find a way to escape from life. Growing up, they didn’t see my hobbies or talents in this field, and they always thought that I had nothing to do with the so-called creator. But in the end, I embarked on this road, and I feel lucky.

Rio Tinto:That means you didn’t actually try to create a work before the college entrance examination began, did you?

In:When I was a child, there was nothing to play. Dozens of children in several communities often got together and listened to my stories. I made up most of the stories told at that time, and I think this may be the original creation. Later, I began to try to write something, but it was not published. Until high school, I didn’t have a clear goal for my future. Later, I accidentally watched The Pursuit of Happyness on the Internet and felt very moved and encouraged. I decided to make a movie. My goal at that time was to take the Chinese opera exam, and I made a lot of efforts for this goal, but I couldn’t find the Chinese opera when I filled in my volunteer. Later, I learned that I had to take the art exam to sign up for the Chinese opera.

Tuo Lu (left) and Li Zelin (right)

Rio Tinto:After the publication of your first work, what kind of opportunity made you feel that you could keep writing?

In:Before the book was published, I was invited by "One One" to write some short stories, which gained a lot of praise after the story was published. It was then that I thought I might be able to do this thing in the future.

Rio Tinto:How did One One know about you?

In:It was recommended by teacher Liu Tong.

"Creation should tap the inner feelings"　　

Rio Tinto:You have transformed from a young writer of literary novels to a screenwriter of TV movies. What is the opportunity of your transformation?

In:At that time, I created the novel "The Sky of Wind Dogs and Teenagers". The waist cover of the book was recommended by Xu Jinglei, which attracted the director Zhang Yibai. After reading it, he contacted me to buy the copyright and wanted to make a film adaptation. At that time, I didn’t want to adapt it myself, but one day I chatted with director Bai about the schools in the book, only to find that we were all from Chongqing No.29 Middle School, so I talked about some things about going to school when I was a child. He suggested that I write a script, and gave me a lot of help and guidance, which led to the drama "The Sky of Wind Dog Boys".

Rio Tinto:There is still a big difference from a novelist to a screenwriter. What do you think is the biggest difficulty on the road to transformation? What growth and changes have you experienced? How do you adapt to the working condition of a screenwriter?

In:At the beginning of writing a script, the director routinely asked me to write an outline, diversity and so on. I wrote for three months, but I still couldn’t write it. I was very depressed at that time. Later, I thought, although I can’t write an outline and a diversity outline, what if I can write a script? I wrote three episodes of the script directly and gave them to the director, and he knew the story clearly. Later, he was very tolerant and allowed me to write the script directly.

Rio Tinto:So you jumped out of the conventional creative method, didn’t you?

In:Yes, I didn’t have experience before. When writing a script, I just thought about the characters clearly, but the whole story came out slowly in the process of writing. However, with the creation of works, the creation of outlines and diversity is relatively skilled now.

Rio Tinto:So how do you usually get through the creative bottleneck?

In:This happens to me all the time. When writing "The Sky of Wind Dog Boys", I often don’t even know what the next word is, let alone the next scene and the next line. At this time, I usually try to keep calm, read books and watch movies without a destination, and often find inspiration and inspiration in some unrelated books and movies. Anxiety and anxiety will only make efficiency lower.

I think creation is basically a process of confronting negative emotions. For example, in a meeting, when people give you opinions and suggestions, you have to open your heart. I don’t think any opinion is completely absurd or useless, but you have to screen it yourself, and the creator must have a clear understanding of the work. I think good works are actually flawed, you can’t make a perfect thing, but you have to find a way to make the most valuable shining point shine with great light. At the same time, the creator should put his own feelings into his creation, and most of the feelings between people are common. Even if we all grow up in different environments, experiences and genders, we will be touched by common feelings. I see a part of my work that hits me, and I think this part is the emotion that the creator dug out from the bottom of his heart. So it also needs courage, the courage to open a part of yourself to the world and let everyone see it.

"Every character in the pen has life."　　

Rio Tinto:When I read your works myself, I found that the identity of "teenager", or the image of "teenager", is what you created the most and impressed the fans the most. Why do you love such a theme so much and think such a character image is the object you want to create?

In:The first is the chance of creation. When I first entered the business, Director Yibai’s need for me was "youth". Secondly, I personally like teenagers very much. Many interesting things always happen to teenagers, and it is easier to give play to my good emotions and emotions.

Rio Tinto:I noticed that there seems to be something like "story world" in your creation. For example, "old dog" appears repeatedly, "salted fish" is an image that the protagonist often compares himself, and "running like a dog" was also used in your previous title. Why did you choose these words so frequently in your creation?

In:Because I think the creation is staged, for example, these works were created in two years. In these two years, as a creator, your own state and thoughts, including what you touch and think every day, may have similar temperament. My three works are similar and related to some extent, probably because they were created at the same time.

The old dog borrowed the nickname of his childhood playmate. When I wrote The Sky Burning with Wild Teenagers, I thought about changing the name of the old dog, but I didn’t come up with a better name and continued to use it. In my opinion, a character name represents a certain temperament, which will exert a subtle influence on you and lead the creator to finish shaping them.

Rio Tinto:When I look at your works, I sometimes think of some Hong Kong movies, and I feel that there is a little shadow of young and dangerous people, or a little shadow of Stephen Chow. Some fans are very curious. I wonder if you particularly like Hong Kong movies or Stephen Chow?

In:When I was a child, I didn’t know where to go to see foreign movies. Sometimes I rent a disc, and many foreign movies don’t even have subtitles, so I can’t understand them. Therefore, when I was a child, I was exposed to Hong Kong films, such as works directed by Stephen Chow, Chen Kexin, Du Qifeng, John Woo and Jing Wong. Later, I started to get in touch with some literary lovers, and I also went to see the films of Kitano Takeshi and others. I was deeply influenced by these films.

Rio Tinto:You are from Guangdong, and you are kind to Cantonese. There are actually two versions of The Lion Boy in Mandarin and Cantonese. Did you think in Cantonese or Mandarin when you wrote the script before?

In:Thinking in Putonghua, I wrote this work in the context of Putonghua, but the scene was set in Guangdong. So when director Sun Haifeng came to me, I was going to decline at first, because I didn’t write cartoons, and I didn’t know what to pay attention to compared with live action. But he finally mentioned the theme of lion dance, which I am very interested in, because there are relatives in my family who dance lions, so we have found a common interest.

Rio Tinto:You said before that you need to change your way of thinking and expression from writing a novel to writing a script. Then it seems that you have changed from a movie to an animated movie. Are there any difficulties in this process?

In:When creating animated films, I don’t have so many burdens in my heart. I think what the picture looks like, how the characters should speak and what they should do, so I write it in the script according to the picture that appears in my mind. But in the end, it is found that there are still some differences between the real script and the animated script. I think there are many emotions and lines in animated films that should be simpler and more direct, because animated films can’t be as delicate as real people in performance. This should have been a consciousness before creation, but it was not there at that time. Fortunately, our generation grew up in the immersion of animation, and my own works have a certain sense of comics, and there will be an intuition in my subconscious.

Rio Tinto:In "The Lion Boy", do you want to express your concern for riff-raff and the narrative of the boy’s growth, or did the whole animation production team decide it at the planning stage?

In:At the beginning of the script, I thought I would write such characters and stories. Lion dancing is really a bitter, dangerous job, and it may take a lot of hard work. When the lion dancer performs in front of you, you will feel a little scared and shocked. When creating, I think that if the hero wants to be a lion in the end, he must be a man who is unlikely to be a lion at first, so that the contrast can produce a sense of "counterattack". I think The Lion Boy can be enjoyed by everyone, and one of the most important points is that it is inspired by the hero’s spirit.

Rio Tinto:It is said that you finished writing The Lion Boy very quickly. Did the director and planner brainstorm with you? Did they put forward any creative demands?

In:When Director Sun Haipeng found me, we talked about the content, style and context of the story. In the process of production, we made many details changes, and they all went smoothly. Director Sun Haipeng made me feel at ease. He resolutely made the production according to our agreed feelings, and added a lot of points to the presentation of the script in the whole production process. For example, the hero flower is actually added later. At first, I wrote kapok, because I think it has Guangdong characteristics and is very beautiful. One day, the director discussed with me "whether to call it kapok or hero flower, and whether to add another line according to this hero flower", so there was the sentence "You are the man who was hit by hero flower".

Rio Tinto:There is a scene in "The Lion Boy" that fans like very much-the hero dances alone on the roof from dark to dawn. That scene is particularly poetic. Can you talk about it?

In:The director and I were looking forward to the play at the script stage, and we all said that this place would be very burning and moving. Finally, the finished product completely exceeded my expectations. I didn’t expect it to be so good.

Rio Tinto:The end of the film is a little heavy, but the protagonist still decides to go to Shanghai. What do you think about this plot design?

In:The script ends when you jump towards Optimus Prime, fall into the water and the reactions of various characters in the story. "Going to Shanghai" is the director’s idea. There are many moments in life that jump out of the shackles and touch the sky, but it is only a moment, and finally it has to return to reality and real life.

Make a youth film "Out of the ivory tower"

Rio Tinto:Director Zhang Yibai said that your creative style is "social youth". Have you talked about this before?

In:Actually, I haven’t talked When he said "social school", I think it may be that at the beginning of the creation of "The Sky of Wind Dog Boys", director Yibai told me that he wanted to make a youth film that "walked out of the ivory tower" and talked about the growth of these 15-and 16-year-olds outside the school. After all, studying at school is not the whole of a person’s growth, and a lot of growth is also related to friends, families and growing environment around him. The "social school" I understand is the intersection of the characters in the story and real life, and the feelings that bounce back after the collision.

Rio Tinto:From "Wind Dog Boy’s Sky" to "Lion Boy" later, it seems that you want to make a map of the juvenile universe. Are you still doing this direction now? Or the other direction?

In:I didn’t think so, and I didn’t stick to the theme of teenagers. But as a creator, his creative style may not change much in a short time. I am often told that creators need to make some breakthroughs. I think there is no problem with breakthrough, but it is easy for creators, especially young creators like me, to fall into a trap. Breakthrough is a long process, which needs to be accumulated slowly, practical steps and real feelings and experiences. Maybe at a certain stage, you will naturally complete a so-called breakthrough.

Rio Tinto:I read in your file that you often transferred to other schools and visited many places when you were a child. Do you think this experience has any influence on your creation?

In:My childhood experience was quite wandering. I spoke Cantonese in Guangdong since I was a child, and then I went to Shanghai and had to speak Shanghainese. I finally learned Shanghainese, went to Chongqing and learned Chongqing dialect. I finally learned a very authentic Chongqing dialect, went to Haikou and spoke Mandarin again, and went to college and returned to Guangdong to speak Cantonese again. Looking back now, this experience has provided a lot of help for my creation. I will observe others, the surrounding environment and the city where I live from the perspective of a bystander. When you go to a place to live, you have to find a way to blend in and live. This kind of experience has made me form a habit since I was a child, and I like to observe others. Think about why these Chongqing people are like this. Why are these Hainan friends like this? Now that I think about it, it was really a good experience.

Rio Tinto:So in your creation, it is more likely that you observe other people’s lives than your own experiences?

In:For example, the old dog in "The Sky of Wind Dog Boys" and A Juan in "The Lion Boys", you will meet such people in your life and have had contact and intersection. In creation, if you need such characters, you will find their fulcrums and handrails, and then project your experiences and emotions on them, and they will return something to you. I used to create, but I didn’t know the relationship between the creator and the works themselves, so I thought I was creating these works myself. Now I feel that while you are creating these works and characters, they are also shaping you in turn. They seem to have held your hand and experienced their lives together. Creators and creative characters will provide each other with strength.

"Feedback from the audience helps me grow."　

Rio Tinto:After listening to your story just now, I can feel that you are quite happy in the creative process, but when the work is finished, you will always face different voices. How do you digest and understand the negative voices?

In:I didn’t have this consciousness when I wrote "The Sky of Wind Dog Boys". At that time, I just entered the business and had no experience. I didn’t know some plots and details of the work and what kind of reaction the audience would give. When creating the Sky of Wind Dog Boys, the whole work is very close to real life. Secondly, at that time, the epidemic had not yet come, and the whole social atmosphere was more relaxed. However, after this work was published, it caught up with the epidemic. In the last fifteen episodes, the plot of "Liu Wenqin went offline" made many people very angry and produced some negative comments. As a creator, it was more painful at that time. Until I saw a private letter, a Wuhan audience said that the story was warm and happy at first, which made him feel relaxed and relieved in the environment of the epidemic, but the plot really hurt his feelings. He spoke very calmly and communicated with me sincerely. I suddenly understood it at that moment. I was still young before, and I was a little arrogant when I entered the business. I felt that I only cared about my creation, and whether I could understand it or not was your business. But after these years, I will pay more attention to the emotional connection with the audience, and I will find that the relationship between the creator and the audience is mutually supportive, so now I will consciously consider not hurting their feelings too much.

Rio Tinto:Now, when you are writing, you sometimes stand from the perspective of fans and jump out to see the storyline you created, right?

In:Will care about each other at some point. Like I watched the previous movie Waterfall, the mother and daughter finally got out of a lot of difficulties in the movie. When the girl was sitting on a stone and the distant flood came, I really thought that the director and screenwriter were going to write this girl to death. At that moment, I also felt that maybe that’s how the audience felt when they watched the last episode of Wind Dog Boy’s Sky. I feel that I have more empathy now. I have never received feedback from the audience before. Now all three works have strong feedback, which is a lucky thing for the creators. I will complain only because I love the characters. It is these encouragement, praise and criticism that make me grow up quickly.

Rio Tinto:Do you have any advice for young people who are eager to learn from you and embark on the creative road like you?

In:My suggestion is to seriously explore what you really want to express and what your true feelings are. I think it is difficult to create a work that can resonate with others without close contact with someone and experience some emotion. There is also the need to remain diligent and courageous. For a creator, you must have the courage to jump into unknown waters. When writing the Sky of Wind Dog Boys, we all want to create a youth drama with a wider dimension; When writing "The Sky Burning with Wild Teenagers", because there are not many musical films to refer to, it tests the creator’s perseverance and courage; Before the creation of Lion Boy, there were very few realistic cartoons, and we don’t know what the final result will be. I think I am more pioneering, perhaps because I am not from a regular background, and I don’t have too many rules and regulations. I just create with my own enthusiasm, and there is not much burden.