Cultural public opinion 077th TV variety show gets together. Who laughs last？
Famous Director & Actor Ying Da:It is impossible to judge the quality of comedy reality show according to a standard. I laugh when I can laugh. I think the level of domestic comedies is comparable to that of foreign comedies at this stage, because there are no sitcoms in China and cross talk in foreign countries. All the good comedies in foreign countries are in sitcoms, while the better comedies in China are kept in cross talk, and there is almost no second form. The skits are not at all. The farce is a new kind of drama and there is no chance.
Liu Jianli, producer of Hunan Satellite TV’s "We All Love to Laugh":In fact, we can’t strictly define comedy, but no matter how the form of comedy changes, its core remains the same, that is, how to amuse the audience. I think it is most important to amuse the audience, whether it is the traditional comedy mode or the innovative performance form. At present, there is no complete training model for comedy talents in China. But as far as our program is concerned, the cultivation of talents is divided into two parts: external force and internal brain. External force is to learn from the mature experience of developed countries and carry out professional training; The inner brain means that in the process of making a program, the director and staff will sum up their own experiences in order to perform better.
Famous crosstalk actor Degang Guo:It is said that crosstalk is within the scope of comedy, and comedy is still related to my major. My ability is average, but I can make do with it. I can still complete the task as a tutor.
Song Weicai, Associate Professor, School of Art and Media, Beijing Normal University:The phenomenon that China variety shows follow the trend and rush headlong into action has a long history. However, the audience of the programs with the same theme may only pay attention to two or three files, and most of the follow-up works will soon disappear. Compared with music talent shows, comedy shows are actually more difficult to do, and it is more difficult for the market to support multiple programs, because in addition to players and tutors, it must also have enough original works. A newly created song can be sung many times and by different singers on different occasions. Once a comedy "Bao" is used once, it is difficult to use it in other comedies. This requires that these comedy columns or all kinds of comedy creative teams supporting these columns must have strong program originality, which is what the literary and art circles lack most at present. The lack of language programs in the Spring Festival Evening of the Year of the Horse is the most direct manifestation of this lack of originality.
Netizen Ameng:If China TV variety shows don’t make efforts to eradicate this homogeneity and change this morbid prosperity and vicious competition, they will eventually become monotonous and exhausted, which will only disgust the audience and lose their support.
China Economic Net Xiaobian has something to say:This round of comedy variety shows is also striving for dislocation competition. For example, some programs are more professional, while others mainly build grassroots players. Some of them are mainly complete comedies, while others are small performances of tens of seconds. However, the pressure of audience competition and the lack of innovation ability have made various TV stations afraid to take risks on the theme. The homogenization of China TV variety shows has not changed at all in this round of comedy trend.